There’s just no good way to classify some things:
- Duckbilled Platypus
- and “My Buddy Eddie”
For the purposes of honesty, maybe I should add Richard Simmons to that list.
Anyway, heretofore with these recordings I could always offer a general target at which the mockery aimed. This one…well…not so much. From the very first, “Hey, come on in, man…” to the last strains of the ill-advised kudzu solo, “My Buddy Eddie” escapes classification.
I guess the closest I can think of is this William Shatner album:
The phrasings from this particular piece seem to pop into my mind as much or more than the others for some reason: “Sit back, relax, yeah, be cool,” in particular. Perhaps it was just the way Tom rattled it off. Oddly, I don’t remember even paying attention to what he was saying at the time. Which is even more odd when you realize that there was no drug or alcohol use involved with any of these.
Let me deconstruct the layers a bit. It sounds as though we had at least two tapes queued up. The first one was Tom’s voice-over part. Obviously, we couldn’t get enough of my bass head’s tube distortion on vocals. There may have been a little reverb on it as well, or that may have been applied to the entire recording as it went to tape. I don’t know, I wasn’t really into consistent professional approaches to my mixdown procedures then.
I’m pretty sure that Tom’s little synth was this Casio CZ-1000. The pad I was playing was probably a preset. I ran it through the processor with some reverb, chorus, and a dash of digital delay. And for Heaven’s sake, could we even begin to record something without that STUPID panner?!?!? We mixed this into the second queued tape of some custom patches Tom whipped up (or hastily edited) that sounded a bit like sirens. I love to hear those operators burbling along there in the lower parts.
Analog synthesizers are just cool.
So, I started playing the pad and using the bend wheel rather than fingering. About a measure in, Tom started the tape with the siren sounds. And after killing everyone softly with my song, he started the vocal tape (with a massive hiss injection). And then for some reason, after the VO was done, he grabbed a mic, brought up the level, and started playing kudzu.
Completly atonally. Creative differences like this have broken up more that one band, let me just tell you!
Well, the defects (outside of the kudzu, that is) are pretty obvious. Like most complete tyros, we went on way too long with the first bit. It really shouldn’t have been interesting enough to warrant such attention. That said, all-in-all, I still think “My Buddy Eddie” is achieves it’s immediate goal of being funny to at least Tom and myself. Which was all we were asking for.
Title: My Buddy Eddie
Album: All Tech No Brains
Artists: Tom Murray and Joseph Baxter
Wasn’t that fun? Oh? Well, look at it this way, only two to go. And the next one, that we’ll just call “The Phone Bill”, isn’t particularly politically correct. But it is one of the most silly. And that is saying something!
See ya then.